EXAMPLES LATERAL USE OF MIXOLYDIAN TRIADS
example 12 next, we have the reverse equivalent of the previous example (now we’re moving up and down each shape). again, focus upon framing each five-string triad shape with an upstroke for the highest note and a downstroke for the lowest note.12 example 13 Finally, we have the first of two examples that feature six-string triad shapes. This first one, played to a 16th-note count, involves playing down one shape and ascending the next. example 14 and here’s the reverse: up one shape and down the next.