Ex­am­ple 3 static dom­i­nant lines

Guitar Techniques - - LEARNING ZONE -

The great Pat Martino sig­nif­i­cantly in­flu­enced Steve and you clearly hear this in his ap­proach to static har­mony. Here we see how Khan might ne­go­ti­ate an ex­tended G7 vamp us­ing G Mixoly­dian (G-A-B-C-d-E-F-G) with all the as­so­ci­ated tri­ads and Pen­ta­ton­ics con­tained within. The de­scend­ing line that con­cludes this ex­am­ple adds a chro­matic bridge be­tween the 6th (Eb). (E) and 5th (d) de­gree, via the con­nect­ing

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