Example 6 Overdriven Slash-chord Pentatonics
There are more Pentatonic ideas here, although this time we’re focusing our attention on the use of these scales against major chords. We begin with E minor Pentatonic against Cmaj7, moving onto E Minor and B Minor against d/C. For F/C we’re using d Minor Pentatonic and for the B7/C we move towards a more arpeggio based approach. Once again, knowing which notes are in what chords will be a massive help here.