Ex­am­ple 6 Over­driven Slash-chord Pen­ta­ton­ics

Guitar Techniques - - LEARNING ZONE -

There are more Pen­ta­tonic ideas here, al­though this time we’re fo­cus­ing our at­ten­tion on the use of th­ese scales against ma­jor chords. We be­gin with E mi­nor Pen­ta­tonic against Cmaj7, mov­ing onto E Mi­nor and B Mi­nor against d/C. For F/C we’re us­ing d Mi­nor Pen­ta­tonic and for the B7/C we move to­wards a more arpeg­gio based ap­proach. Once again, know­ing which notes are in what chords will be a mas­sive help here.

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