EXAMPLE 9 stamina
This example also generates notes from a ‘standing start’ with a hammeron, so7metimes skipping a string in the process. Keeping the semiquavers in tim7e is a challenge worth spending time on. Ironically, the subsequent triplets may seem easier, as they’re more ‘tightly-packed’ in the bar with less room for error. This is great for generating melodic lines that don’t feel limited in the way conventional scale positions sometimes can.