EXAMPLE 3 MINOR VARIATIONS: NO 4TH/ADD 5
Cd track 8
Moving into the key of B, this gives us B-d-F-F#-a – great for exotic ‘metal’ type soloing. as usual, I’m trying to avoid too much ‘linear’ Pentatonic phrasing, as that would defeat the object. The most interesting aspect of this pattern is probably the contrast between F and F#, so that’s what I’ve leaned on most heavily here. remember, this won’t be comfortable at first; you need to educate your fingers into accepting it as the ‘norm’.