EXAMPLE7/FIGURE7 ChromatiC SynChroniSation
This example is played almost exclusively with alternating down and upstrokes. Often, problems with articulating more complex phrases don’t lie with the fretting hand or picking hand alone but with harnessing them together. By working this piece up from a slow tempo, you will develop far greater synchronisation and sympathy between the hands. Pay close attention to details like consistent picking angle and minimum movement.