EXAMPLE 5 SUPERIMPOSITION ...CONTINUED
[Part 5b] For our second variation we’re taking the F route. Selecting the same scales this gives us the solution of Fm against Fm 7th, F half-diminished against Db7, and F major 7th against Dm7. As we can see things from a parallel perspective root-wise, this makes the utilisation of various technical aspects such as tapping that much easier, as I can see a pattern shift from one type of F thing, to a different type of F thing - and so on. (remember Sco’s “I play minor stuff” quote?) For more of this kind of stuff you may wish to check out the rock fusion tapping master Greg Howe.