EXAMPLE9 NEO-CLAS­SI­CAL – MI­NOR TRIAD THROUGH THREE PO­SI­TIONS AND HAR­MONISED SE­QUENCE

Guitar Techniques - - USER GUIDE -

Yng­wie Malm­steen pop­u­larised neo-clas­si­cal gui­tar move­ment of shred gui­tar in the ‘80s. Much of it he achieved with a se­lec­tion of three-note triad arpeg­gio shapes found on the top strings. We be­gin with a 16th-note pat­tern that de­fines the three Mi­nor triad shapes found in this area and go on to em­ploy these shapes, plus Di­min­ished, sus and Ma­jor vari­a­tions to har­monise a se­quence of chords, again based around an A Mi­nor tonal­ity.

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