EXAMPLEs12 chord solo study
This solo is one of countless possible using this sequence. For example, for the D Dorian sections (bars 1-7 and 29) you can use any Minor Pentatonic/Blues
Eb7 ideas from Ex 1, or the harmonisations from Ex 3. For the G7 and (bars 9-11, 30), any of the Mixolydian chords (Ex 8) or bluesy double-stops (Ex 2). The Altered chords (bars 8 and 24) are from Ex 9, the II-v progressions (bars 25-26) from Ex 11, the maj7 chords in bars 31-32 are from Ex 5 and the Lydian chords (bars 26-28 and 32), Ex 7. Once you’ve learned this solo, have a go at building your own using the other examples here to start making your own material.