Ex­am­plE4 two-pArt solo lines

cd track 50

Guitar Techniques - - LESSON JAZZ -

This ex­cerpt de­vel­ops the ques­tion and an­swer theme from ex 1, al­though here Hall is play­ing both sides of the dou­ble act him­self. We’re in D Mi­nor GUI­TAR TECH­NIQUES MAG­A­ZINE 2 7 2 (D-F-A), al­though the B nat­u­ral in the rep­e­ti­tious bassline fig­ure points us in the di­rec­tion of D Do­rian (D-e-F-G-A-B-C). Hold the last note in each phrase for as long as pos­si­ble to cre­ate a legato ef­fect and main­tain the im­pres­sion that we are hear­ing two in­de­pen­dent, al­beit re­lated, sep­a­rate parts.

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