AEEXXA2MPLE2 ADDING A ROOTA
Eric Johnson is very fond of this pattern as it can imply harmony with a spEarse bass and drum backing. Essentially, it’s the same idea as example 1, intervoeallic woeider but adding the bass note gives the impression of a skip. I’ve also hinted at how the pattern can be shifted to different groups of strings in the last bar. When playing with a driven tone, it’s probably best to use a little palm muting on those bass notes.