EX­AM­PLE LEAD

cd track 47

Guitar Techniques - - LEARNING ZONE -

[Bars 44-56] Oc­taves are not the sole do­main of jazz gui­tarists: add some dis­tor­tion and strong pick­ing for great rock phras­ing! [Bar 58-59] Slip­pery B nat­u­ral mi­nor ac­tion here.

[Bars 61-62] Trick­i­est sec­tion of this ar­ti­cle: tackle the first or sec­ond beat’s de­scend­ing slurred pat­tern first (slowly). Then in­crease speed and add the other po­si­tions af­ter­wards.

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