cd track 47
[Bars 44-56] Octaves are not the sole domain of jazz guitarists: add some distortion and strong picking for great rock phrasing! [Bar 58-59] Slippery B natural minor action here.
[Bars 61-62] Trickiest section of this article: tackle the first or second beat’s descending slurred pattern first (slowly). Then increase speed and add the other positions afterwards.