Guitar Techniques

ExamplE9 disjointed Phrasing with fast altered line

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There’s a bit more of a django influence to end here, with a lovely dm/maj9 i3dea (d-F-A-C#-E) and some intriguing rhythmic choices throughout. The C Altered scale (also known as superlocri­an) makes an appearance again in the final bars, against a C7 with altered extensions, functionin­g as the v7 chord en route to our concluding Fmaj7 statement.

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