EX­AM­PLE 7

Guitarist - - Kenny Wayne Shepherd -

AN­OTHER LICK THAT high­lights the use­ful­ness of slid­ing be­tween pen­ta­tonic po­si­tions. Your knowl­edge of all five shapes needs to be flu­ent for this and so, if you’re not sure where you are, try map­ping out a ’board’s worth of B mi­nor pen­ta­tonic so you can see where this lick is placed in con­text – then you’ll be able to use it in other keys, too.

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