Guitarist

BAE Hot Fuzz

Classy studio gear purveyor turns its hand to pedals, with this impeccably vintage-voiced fuzz

- Words Trevor Curwen Photograph­y Joseph Branston

Unlike its namesake comedy crime movie, there’s no mystery to be solved with this Hot Fuzz: it’s a fuzzbox, pure and simple, albeit one that also sports an independen­t high frequency boost. BAE is a California­based manufactur­er of, primarily, high-quality microphone preamps/EQs based on classic vintage designs like the British Neve 1073. The Hot Fuzz is the company’s very first stompbox and there’s some vintage Brit influence going on here too: the high frequency boost is in the Rangemaste­r vein of treble boosters while the 4-transistor fuzz, said by BAE to be an ‘English 1970s style fuzz box’, has Tonebender DNA.

SoUndS

Juxtaposit­ion of the Juice knob (fuzz) with Gain (output volume) offers quite a range, from gritty drive to full-range vintage fuzz with nowt taken out, all very responsive to guitar volume. The Bass and Treble knobs are powerful here, working in tandem to shape the character to suit your exact needs, but if you want the pedal to live up to its name, stomp on the Boost switch to turn up the heat. Used by itself, besides rolling off some low end, its main thrust is a snarky presence with plenty in the tank to drive amps harder, it excited just the right frequencie­s to make our darkersoun­ding vintage non-top boost AC30 come alive. Added to the fuzz it offers a real enrichment, bringing out the singing harmonics, and when you want to switch in Boost and Fuzz together, the two footswitch­es are close enough to allow it with one clout of your boot, yet far apart enough to make individual operation of them easy, too.

Sound-wise, we can’t fault this, but there is one minor issue and it’s something that we’ve seen before in the first pedals from companies that haven’t made pedals before: while it’s not set in stone that the input goes on the right and output on the left, it is common practice and this one gets the other way around.

verdict

The pound’s dismal exchange rate means that you are paying more these days for quality imported gear, but here you are getting a sublime combinatio­n of fuzz and treble boost for your money. Pros Two cool effects in one pedal; rock solid build quality cons Inputs and outputs reverse convention; large pedalboard footprint

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