Example 1
THE EXAMPLE is all about the sustain. It might not get into ‘go for a bite’ territory, but in 1966 it must have seemed almost supernatural (excuse the pun). This isn’t super distorted, Subtle compression can help if you’re restricted to lower volumes. Look out for the quarter tone bends – and if you want a bit more ‘Clapton’, substitute the F natural in bar 2 with an F sharp.