Guitarist

Example 1

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THE EXAMPLE is all about the sustain. It might not get into ‘go for a bite’ territory, but in 1966 it must have seemed almost supernatur­al (excuse the pun). This isn’t super distorted, Subtle compressio­n can help if you’re restricted to lower volumes. Look out for the quarter tone bends – and if you want a bit more ‘Clapton’, substitute the F natural in bar 2 with an F sharp.

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