De­fine the fa­cial fea­tures

ImagineFX: Sci-fi & Fantasy Art magazine - - Workshops -

Now’s a good time to ex­am­ine the progress of the faces. On Bucky’s face, I work with a mid-tone base be­fore sculpt­ing with light, by lay­er­ing the Over­lay brush and layer ef­fects. I ap­ply a cool grey re­flected light and Bucky’s face emerges. On Cap, I no­tice how nat­u­ral light af­fects the more translu­cent ar­eas of the face, such as the nose and the ear­lobe.

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