Fi­nal de­tails

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Lastly, I work around the im­age us­ing opaque lay­ers and brushes to soften and re­fine de­tails. My fo­cus is the de­tails and clean­ing up overly rough patches or places that look un­fin­ished. I give the head more glow and fur­ther re­fine the skin, with stan­dard brushes set to a very low Opac­ity. I also step back from the im­age to see if there’s any­thing miss­ing or in­cor­rect.

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