Fore­ground de­tail

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With the help of some lay­ers set to Over­lay mode, I darken and sat­u­rate some parts of the paint­ing. Then I pro­ceed to grad­u­ally pick out de­tail within the fo­liage. This process is very re­lax­ing and I could keep at it for hours, but I’m care­ful not to ren­der these lessim­por­tant ar­eas too much, in case they draw too much at­ten­tion to them­selves. I also add some colour vari­a­tions to both the back­ground and fore­ground.

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