The cool and the warm

ImagineFX - - Workshops -

I want to ex­pand the trans­par­ent feel­ing of the hands to the en­tire paint­ing. Back in step four I used the warm colour on the face to paint the shadow and light. Now I’ll bal­ance it out with the cooler colour to some parts of the piece. Do­ing so will de­fine a re­la­tion­ship be­tween the warm and cool colours.

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