Start block­ing in the fig­ure and en­vi­ron­ment

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Now I fo­cus on block­ing in all the ma­jor ar­eas of the im­age. For ex­am­ple, I ad­just the fig­ure’s pro­por­tions based on my ear­lier draw­ing, start paint­ing the ma­jor shapes in the fig­ure, and es­tab­lish proper light­ing through­out the paint­ing. The key to this stage is to al­ways keep the en­tire paint­ing in mind, and not fo­cus on any de­tails.

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