Rough­ing the main fig­ure in ZBrush

ImagineFX: Sci-fi & Fantasy Art magazine - - Workshops -

I start by sculpting my fig­ure in ZBrush be­cause I know the whole com­po­si­tion will de­pend on it. Be­cause I’ve al­ready cho­sen my view­ing an­gle, I sculpt the pose with­out sym­me­try and fo­cus on what the cam­era will see, be­cause it helps me to think about the paint­ing at this early 3D stage.

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