11 Es­tab­lish­ing mi­cro-com­po­si­tions

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The over­all com­po­si­tion com­prises sev­eral mi­cro-com­po­si­tions that follow the circular mo­tion. These are ba­si­cally paint­ings within the paint­ings. If you draw a ver­ti­cal line through the mid­dle of the im­age, the left and right parts of the im­age are mi­cro-com­po­si­tions, which in turn con­tain mi­cro com­po­si­tions. I do this to cre­ate visual in­ter­est.

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