Dig­i­tal sub­scrip­tion

ImagineFX: Sci-fi & Fantasy Art magazine - - ImagineNation -

It’s been four years since I de­cided to go dig­i­tal. I have never re­gret­ted a sin­gle pa­per is­sue of Imag­ineFX. And when I’m in­ter­ested in a special mag­a­zine, I sim­ply buy it right from your site. I have all the Imag­ineFX is­sues and I just want to say thanks for your great work! When I show to my friends how dig­i­tal art can be so beau­ti­ful on a iPad screen, their eyes al­ways shine. For­ever with you. Don­ald, via email Claire replies Hello Don­ald. Thank you so much for tak­ing the time to email us with your kind words. I al­ways share emails like this with the team and it’s a great re­minder of how lucky we are to be work­ing in the dig­i­tal art com­mu­nity.

Sub­mit­ting art

Hello there. I’ve just dis­cov­ered your won­der­ful mag­a­zine! But how can I sub­mit my art to you? Brenda Stan­dis, via email Claire replies Hey Brenda, thanks for get­ting in touch. We’re al­ways look­ing for tra­di­tional and dig­i­tal artists to show­case their art in our FXPosé sec­tions. What we need is up to seven im­ages (ei­ther tra­di­tional or dig­i­tal, not both), along with their ti­tles and a short (50 words for each im­age) ex­pla­na­tion about its cre­ation, the in­spi­ra­tion, or tech­nique used.

Ide­ally, pro­vide your text as a text doc­u­ment and your im­ages in a zip file (in­clude copy­right in­for­ma­tion if needed). We’ll also need a photo of your­self, a short bi­og­ra­phy (maybe about your train­ing, jobs, art in­spi­ra­tions and as­pi­ra­tions, or some silly info about you) and these de­tails: name, lo­ca­tion, web­site, email and your medium. Im­ages should be sent as 300dpi jpg files. Email us at fx­pose@imag­inefx.com. Un­for­tu­nately we’re not able to re­ply to peo­ple in­di­vid­u­ally – un­less you get cho­sen to ap­pear in the mag­a­zine.

Our in­ter­view with Hol­ly­wood cos­tume de­signer Dar­rell Warner went down well with Tony San­som.

Four years ago Don­ald swapped over to a dig­i­tal sub­scrip­tion of Imag­ineFX, and hasn’t looked back.

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