Con­duct the com­po­si­tion

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In this pic­ture it’s im­por­tant for me not to have sharp, spiky shapes. Ev­ery­thing has to be clear, soft and nat­u­ral. While I’m re­fin­ing the pic­ture, more shapes, colours and their tones ap­pear. And so this part of the paint­ing re­quires more pa­tience. But I al­ways tell my­self not to stick to one part: con­duct the whole orches­tra and not just one sec­tion.

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