On to the face

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It’s time to de­pict the char­ac­ter and de­tails. I pre­fer to start from the face, be­cause it’s a key part of the im­age. Paint­ing a ‘good’ face is worth al­most any cost. Of course, some­times ‘good’ doesn’t mean ‘ beau­ti­ful’. In this case I’d like to give her a pretty face. At the mo­ment I’m not happy with her fa­cial fea­tures and ex­pres­sion, so I con­tinue to work on them.

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