Get in line

ImagineFX - - Workshops -

In my case, lines aren’t just a foun­da­tion for paint­ing but ac­tu­ally part of the fi­nal il­lus­tra­tion. I place the pre­lim­i­nary on a layer be­low, re­duce its Opac­ity to around 20 per cent (sim­i­lar to an ink­ing method) and use it as a guide. I keep the light­ing in mind here, thick­en­ing the line weights in shadow be­cause it’ll help to blend my lines with the shad­ing later on.

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