10 Ren­der­ing the fo­cal point

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At this point in the process, the hard­est part is done. It’s now time for the long­est part: the ren­der­ing. I be­gin with the fig­ure’s up­per body and parts of the stone mono­lith be­hind her, be­cause it’ll be the cen­tral fo­cus for the im­age. This area will con­tain the tight­est de­tails and great­est con­trasts that grad­u­ally fall off as it moves away from this point.

Fo­cal point

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