9 Com­ple­ment his face

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Faces and body lan­guage are pretty im­por­tant in sto­ry­telling im­ages and in this day­light set­ting I have a lot of power over the light­ing com­po­si­tion. I make sure the face of the man is very read­able, by adding com­ple­men­tary val­ues be­hind it, by dark­en­ing the fo­liage be­hind the bright side of the face, and by light­ing it up be­hind the dark side.

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