Sharp­en­ing the en­vi­ron­ment

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My mind needs time to con­sider the fore­ground, so I give it a break and con­tinue flesh­ing out the back­ground that I’m more con­fi­dent about. I go quite far into darks and lights here, al­most to black and white, be­cause I know that I’ll add some hazy light­ing af­ter­wards to bring it back to­gether. I con­trast the win­dows, be­cause the lights and darks meet strongly here.

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