Dark­room tips From colour to mono

NPhoto - - Special Feature -

The orig­i­nal im­age does not have the con­trast of the fi­nal shot, but it has a full range of tones to work with.

Matej used se­lec­tions and lay­ers in Pho­to­shop to darken the pier but not the rest of the pic­ture.

Fine art black-and-white pho­tog­ra­phy can use sim­plic­ity to draw you in. The less there is to see, the longer you look!

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