Vin­cent ex­plains what makes a per­fect set­ting:

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“For the per­fect im­age, I wait for a storm. The vi­o­lence of the wind, blind­ing snow, cold that freezes ev­ery­thing so the land­scape be­comes naked and ev­ery­thing is wiped out – un­til you dis­cover, far off, an an­i­mal, very still but quite com­posed. The ex­pe­ri­ence be­comes then a les­son in hu­mil­ity in front of these crea­tures at home in the el­e­ments.” Quote from The Masters of Na­ture Pho­tog­ra­phy, pub­lished by the Nat­u­ral His­tory Mu­seum.

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