NPhoto - - Feature -

It’s amaz­ing that you can get a full-frame Nikon D-SLR for less than the cost of its flag­ship DX-for­mat cam­era, but the D750 is a mod­est jack of all trades whereas the D500 is a cut­ting-edge ac­tion spe­cial­ist. The max­i­mum con­tin­u­ous shoot­ing speed of the D750 isn’t bad, at 6.5 frames per sec­ond, but this is some way short of the D500’s flat-out per­for­mance, and the D750’s buf­fer can only cap­ture 15 14-bit loss­less com­pressed RAW files in a burst. It can’t match the D500’s speed and en­durance, and the only FX cam­era that can is the Nikon D5, which costs three times more at £5200/$6500. con­tin­u­ous shoot­ing: 6.5fps RAW: 15 shots JPEG: 100 shots buf­fer ca­pac­ity: 100/15 shots For ac­tion pho­tog­ra­phy, the D500 wins hands down. To match it with an FX cam­era would cost three times more!

Newspapers in English

Newspapers from Australia

© PressReader. All rights reserved.