He­len re­cently shot an­othe r pop­u­lar TV se ries close to he r home in Belfast …

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You also shot stills for The Fall, much of it at night. Was that very dif­fer­ent to Game of Thrones? I’m so used to work­ing in the dark, hon­estly, that I think the prob­lem for me lies in when some­one asks me to do a job that’s re­ally bright and happy! Then I re­ally have to get my head into a to­tally dif­fer­ent place, be­cause I’ve be­come so good at look­ing for that lit­tle catch light in the eyes in the dark, that tiny lit­tle light, and try­ing to get the ex­po­sure and ISO right so that it’s not too grainy that you lose too much of the skin tone. It’s been a real bap­tism of fire, Game of Thrones, be­cause I think I have done some of the most dif­fi­cult cam­era work I will ever do, and ev­ery­thing else will seem like a breeze. I can’t wait to get a kids’ drama in the desert with brightly coloured cos­tumes in sun­light!

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