In­tro­duc­tion

NPhoto - - Over To You -

An­thony care­fully nav­i­gated his Fer­rari through the roller doors of Neil’s spa­cious stu­dio, and Neil then guided him into po­si­tion, so that they wouldn’t have to move the car dur­ing the shoot, and run the risk of get­ting tyre tracks on the white floor. Neil then quizzed An­thony about his typ­i­cal set­tings for shoot­ing cars, and sug­gested some set­tings of his own...

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