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back with a series Sean’s experiment­ation has paid off as he’s come works fantastica­lly of portraits like none we’ve seen before. The clay skin, and the at creating a juxtaposit­ion in textures on the model’s of the model’s face effect works most strongly in the wider shots would be that we’d where you get maximum effect. Our only criticism with different models like to see more images in this series, perhaps

There’s something and with the makeup applied in different ways. of Sean’s work. worth exploring here and we’d love to see more

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