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Doctor Who

Back to the gothic era

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Of all the Doctor Who

eras, one of the best- loved is 1974– 1976, the early Tom Baker years when the show was produced by Philip Hinchcliff­e. Now Big Finish have invited him to oversee a box set of two Fourth Doctor adventures. The results are as dark and atmospheri­c as you’d expect. The set begins with The Ghosts

Of Gralstead, where the Doctor and Leela arrive in 1860s England and encounter a freak show, a haunted manor house and a pair of bodysnatch­ers. A lurid six- part pulp mystery, it features strong performanc­es ( especially from Baker), but like other six- parters feels rather stretched at times.

Tighter at four episodes, The Devil’s Armada pitches the Doctor and Leela into the superstiti­ous chaos of 16th century England. This rollicking adventure gets slightly hampered by random plotting in its final episode, but overall this box set is still an entertaini­ng dose of Hinchcliff­e- style Who.

Elsewhere, a double- bill of regular releases wraps up the latest trilogy for the Seventh Doctor, Ace and Hex. Mask Of Tragedy sees the crew visiting Ancient Greece for a holiday that’s soon disrupted by a mysterious plague and a powerful alien mask. The story starts well, and Samuel West gives a great performanc­e as Aristophan­es, but the plot gets increasing­ly loopy, while attempts at epic storytelli­ng result in endless amounts of bombastic shouting.

In Signs And Wonders, the Doctor brings Hex home to Liverpool in the 2020s, just in time to encounter an apocalypti­c cult, a race of eagle- like aliens and the potential resurrecti­on of an ancient entity. It’s a continuity­heavy story that will be pretty much incomprehe­nsible to new listeners, and it’s pitched at such an over- thetop level that despite a few touching moments, it’s ultimately exhausting rather than enjoyable.

Finally, The Early Adventures, a range of stories set during the Hartnell and Troughton eras, launches with Domain Of The Voord, a tale featuring the first TARDIS team and narrated by Susan ( Carole Ann Ford) and Ian ( William Russell). A visit to the watery world of Hydra sees the Doctor once again encounteri­ng the evil Voord from 1964’ s “The Keys of Marinus”. This ripping yarn has an epic scale that fits early Who’s semi- educationa­l tone, and captures just the right blend of gently- paced retro adventure. Saxon Bullock

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