SFX

KILLJOYS Season One

More fun than it sounds

- Andrew Osmond

released OUT NOW! 2015 | 15 | blu-ray/dvd Creator Michelle lovretta Cast Hannah John-Kamen, luke Macfarlane, aaron ashmore

This Canadian-made space opera is a very pleasant surprise, overcoming its financial limitation­s and silly name to deliver a smart, engaging show. Its greatest asset is its central trio of “Killjoy” bounty hunters – one kickass woman and two very different brothers, both with conflicted feelings for her. Together, they motor a strong series arc, intriguing worldbuild­ing, and a show with adult depths behind the fights and amusing one-liners.

It takes place in a planetary system where all the characters are spacefarin­g “humans” (though so far it’s unclear if they actually came from Earth). Much of the show takes place around two moons. Westerley is a Dredd-ish urban setting of filthy alleys, dark bars and violent cops. Leith is a green farming environmen­t, but with its own hidden violence under the pastoral surface.

The Killjoys are given specific missions, from mundane deliveries to terminatin­g fugitives, and they’re supposedly independen­t of the authoritar­ian “Company” which rules this part of space. The show starts with two Killjoys, Dutch (Hannah John-Kamen), a highly capable fighter, and John (Aaron Ashmore), an ex-thief turned hacker who has a platonic, brotherly rapport with her. That gets disrupted when the two run across D’avin (Luke Macfarlane), John’s long-lost, estranged and hunky brother, who’s haunted by his spell in the army. After initial tensions, D’avin teams up with them, but issues arise – we doubt you need a diagram... Meanwhile, Dutch is haunted by her own personal ghost: an urbanely sinister guru called Khylen who taught her to kill.

Killjoys has blatant budget issues, with sets often looking like barely-redressed buildings; the Dredd-ish city looks more grotty than dystopian. But in fairness, the action also moves to more appealing locations, such as the palatial mansions of the show’s aristocrat­s. Another exterior looks like a Doctor Who gravel pit, but still proves effective in a strong episode about gutsy hunted women.

Less good is a fight in the first episode, where Dutch theoretica­lly shows off her hand-to-hand prowess. It looks embarrassi­ngly feeble, and the slow-mo and pop backing track reek of cheese. But the fights improve, leading up to a savage episode for the trio where things get horribly personal and believably threatenin­g.

Generally, the stories are interestin­g and sometimes impressive in going to dark or surprising places to advance the characters (and often not in healthy ways). Notably, it’s a show about sexual dysfunctio­n, with heroes who fear intimacy with anyone they actually care about. Or as a sisterly Dutch scolds John, “Stop being friends with everyone you sleep with – it’s just weird.”

Extras None.

If you missed season one when it first aired, better catch up quick: season two starts airing on Syfy on 1 July in the US.

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