DOWN THE RABBIT HOLE
AN endless field of possibilities without the confines of reality was the starting point for Swedish video artist Nathalie Djurberg’s exhibition The Secret Garden.
Created with fellow Swede, musician and composer Hans Berg, the immersive show combining sculpture, light, sound and claymation film takes viewers into a surreal landscape presided over by a shaman rabbit.
The Berlin-based partnership, both creatively and personally, premiered The Secret Garden in Melbourne last year with Perth Institute of Contemporary Arts the second stop, showing as part of the Perth International Arts Festival 2016 visual arts program.
Djurberg said their works always began with her becoming obsessed by a string of thought or an interest she could not let go.
“The process when the work evolves is when it gets exciting,” Berg said.
“I come in on a project a little bit after, we don’t talk about the actual works but the themes surrounding it and I start thinking about music.
“In this one we have an animation of a shaman rabbit, so the music is inspired by this shamanic music with a hypnotic drumming loop.”