Sci- fi tank full of Diesel
THUMP. Thump. That’s the sound the golf cart makes each time it strikes the uneven pavement as it transports Vin Diesel across the Universal Studios backlot.
He’s travelling from his bungalow office to a screening room where Riddick crew members have gathered to watch the third instalment of the sci- fi series starring the 46- year- old actorproducer as an extraterrestrial ex- con.
“It’s such a victory that this movie is going to be in theatres,” he said in his signature growly tone.
Indeed, when it comes to Riddick, Diesel is all too familiar with hitting bumps in the road. It took the Fast & Furious star nearly a decade ( and millions of dollars in fundraising) to bring his see- in- the- dark anti- hero back to the big screen. Universal had jettisoned a possible third edition after 2004’ s Chronicles of Riddick didn’t soar at the box office.
Despite the fact Chronicles of Riddick and its 2000 predecessor Pitch Black, as well as a pair of Riddick video games, amassed a cult following, it seemed like Riddick would be forever lost in space.
However, Diesel remained undeterred. He worked with series writer- director David Twohy to resuscitate Riddick, obtaining the film rights after Universal passed.
“I started in the independent [ film] world, but this was a new level of challenge for me,” Diesel said.
He treated the sequel just like an indie film project, not unlike the 1990s self- funded movies Multi- Facial and Strays, which first transformed the burly New Yorker from bouncer to actorproducer.
Between filming the Fast & Furious movies, he travelled to Germany with Twohy to woo enough investors to convince the studio to come back on board.
“This character struck a chord,” said Diesel, who pointed to his 46 million Facebook fans as the reason for taking several risks including almost leveraging his house when bills couldn’t be paid to recover Riddick.
“He’s tangible for them. I think the idea of a character that has been misread, overlooked and given up on is very fascinating to people.”
The original Pitch Black, which introduced the ruthless Richard B. Riddick amid an eclectic group of spaceship crash survivors, cost $ US23.5 million ($ 25.2 million) and went on to earn $ US53 million ($ 56.7 million) worldwide.
The follow- up heavily expanded on the first film’s spacey mythology and budget. It cost $ US105 million ($ 112.4 million) but wasn’t ultimately a blockbuster, bringing in a so- so $ US115 million ($ 123 million) worldwide.
Riddick, leanly costing between $ 35 million and $ 40 million, blends elements from both chapters, keeping the ornate look of Chronicles but dispatching with its PG- 13 interstellar politics in favour of the R- rated terror of Pitch Black.
The film strands the Furyan bad boy on a desolate planet where he’s hunted by duelling bands of mercenaries.
“For both of us, it was like going home again,” Twohy said.
“No matter what part of the world we’re in, whether it’s the Australian outback where we shot Pitch Black, or Vancouver where we filmed the second movie, or inside an old train depot in Montreal where we shot Riddick, it just feels like home when we’re together making a Riddick movie.”
With the revivals of Fast & Furious and Riddick now under his belt, Diesel feels reinvigorated about his other passion project: a trilogy in which he’d play Carthaginian commander Hannibal Barca, the audacious general who marched across the Alps to challenge the Roman Empire. It’s another bumpy venture Diesel has been working on for the better part of a decade.
But first, Diesel said he was revving up for the seventh Fast & Furious, which begins shooting next month in Atlanta and Los Angeles, and Marvel’s Guardians of the Galaxy, in which he’ll portray the tree- like alien Groot.
For the former street performer, it’ll mark his first foray into motion- capture acting and playing a character known for delivering just one line: “I am Groot”.
“The idea of bringing that physicality to a CGI character always tantalised me,” he said.
“To strip away everything is insane. In this case, the voice plays heavily into it, too. I don’t know what kind of dialogue will be in it, but even if it stayed true to character, there’s so much one can do with ‘ I am Groot’. It’s the kind of challenge very few actors ever get.”