NOW SHOW­ING

This week’s eclec­tic of­fer­ings in­clude an Os­car Wilde clas­sic, a doc­u­men­tary on the Nazis’ art ob­ses­sion and the mu­si­cal side of Sailor Moon

The Gold Coast Bulletin - Play Magazine - - PLAY -

direc­tor of Shake­speare’s Globe. A Woman of No Im­por­tance was filmed live at the Vaudeville The­atre in Lon­don’s West End es­pe­cially for the cinema screen. An earnest young Amer­i­can woman, a louche English lord, and an in­no­cent young chap join a house party of fools and grotesques. Nearby a woman lives, cradling a long-buried se­cret. First per­formed in 1893, Os­car Wilde’s mar­riage of glit­ter­ing wit and Ib­sen­ite drama satirised the so­cially con­ser­va­tive world of the Vic­to­rian up­per-class, cre­at­ing a vivid new the­atri­cal voice which still res­onates to­day. Above & Be­yond Acous­tic: Giv­ing Up The Day Job, a new con­cert doc­u­men­tary di­rected by Paul Dug­dale ( The Rolling Stones Olé, Olé, Olé) for Scheme En­gine and Myles De­sen­berg for Archer’s Mark (BAFTA nom­i­nated Notes On Blind­ness), fol­lows the Grammy nom­i­nated group’s un­likely jour­ney from the DJ booth to the Hol­ly­wood Bowl.

Above & Be­yond’s Jono Grant, Tony McGuin­ness and Paavo Sil­jamäki fea­ture in a new doco.

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