HOW WOULD YOU DE­SCRIBE YOUR STYLE?

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I started with land­scape and street pho­tog­ra­phy un­til I found my­self do­ing other styles like ar­chi­tec­ture, vin­tage, and con­cep­tual pho­tog­ra­phy.

WHICH PHO­TOG­RA­PHERS IN­SPIRED YOU MOST?

In com­mer­cial pho­tog­ra­phy I like the work of Karl Tay­lor as well as Henri Cartier-bron­son who spe­cialise in can­did pho­tog­ra­phy.

HOW DO YOU ED­U­CATE YOUR­SELF TO TAKE BET­TER PIC­TURES?

The main way is the In­ter­net. I also par­tic­i­pate in in­ter­na­tional work­shops and pho­tog­ra­phy com­pe­ti­tions.

ONE OF TO­DAY’S MAIN DIS­CUS­SION POINTS AMONGST PHO­TOG­RA­PHERS IS ABOUT THE USE OF DIG­I­TAL PHO­TOG­RA­PHY; WHAT IS THE IN­FLU­ENCE OF DIG­I­TAL TECH­NOL­OGY ON YOUR PHO­TOG­RA­PHY?

We are liv­ing in a dig­i­tal era, so nat­u­rally I use dig­i­tal cam­eras de­spite the dif­fer­ence th­ese of­fer com­pared to the tra­di­tional mod­els. How­ever, and be­cause of the dom­i­nant tech­nol­ogy, we either adopt the trend or risk fall­ing be­hind.

Wait­ing

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