How has life in Dubai in­flu­enced your work?


Dubai and Abu Dhabi are good places for this in­dus­try in terms of in­fra­struc­ture and ser­vices. I’m cur­rently work­ing in Abu Dhabi at the twofour54 build­ing. There are many big names lo­cated there like UBI SOFT and Car­toon Net­work to name a few. The at­mos­phere is en­cour­ag­ing, es­pe­cially with many im­por­tant events and ex­pos hap­pen­ing in the coun­try of­fer­ing great work op­por­tu­ni­ties.

Do you have a favourite piece in your port­fo­lio?

My favourite is Kuwait TV Iden­tity, which tries to trans­form the orig­i­nal Ara­bic vi­su­als on things such as camel, horse, ea­gle, desert, Ara­bic coffee, and loom into artis­tic and metal­lic pat­terns.

Which pro­ject or pe­riod of your ca­reer have you en­joyed the most so far?

FX work like (wa­ter – ex­plo­sion and de­struc­tion – etc.), which has been and still is my main fo­cus.

Do you as­pire to join any pro­duc­tion com­pany?

Most of my ca­reer was in a pro­duc­tion com­pany. How­ever, I’ve only been free­lanc­ing for the past year.

What do you en­joy most about your job?


The two el­e­ments that hold great ap­peal are na­ture and phe­nom­ena, be­cause when you are in­volved in the cre­ation of ad­vanced spe­cial ef­fects, th­ese be­come the real ref­er­ence.

Shark At­tack VFX

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