What’s the best part of be­ing a pho­tog­ra­pher?


De­tail The ad­van­tage of sur­pris­ing peo­ple by show­ing them what I see in them, not what they re­mem­ber about them­selves.

What is the hard­est part of your job?

Rat­ing and pric­ing my own work.

If not a pho­tog­ra­pher who you would have been?

As a vis­ual artist, I wear many hats. In other words, I am not al­ways a pho­tog­ra­pher, as I also paint, sculpt and write. You could say that it’s not easy to en­ter­tain a busy mind.

How would you de­scribe your style and how did you de­velop it?

I am a classical fine art and por­trait pho­tog­ra­pher with a broad in­ter­est in Boudoir pho­tog­ra­phy. I pre­fer black and white film over any other, es­pe­cially when it is at a very grainy res­o­lu­tion, 3200 ISO be­ing my favourite. I also love cov­er­ing live con­certs, as there is a

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