BOLLYWOOD RIPE FOR A REBOOT
Industry enjoying surge, but hampered by undertrained workers, rampant piracy
MUMBAI A revenge fantasy and a female wrestling drama are smashing box office records in India and abroad, giving the country’s film industry a shot in the arm after a lacklustre couple of years.
But in what could be a metaphor for the emerging economy, the industry is a powerhouse struggling to be unleashed.
Despite producing more films than any other country, it’s hobbled by myriad issues, from outdated infrastructure to rampant piracy, generating a fraction of Hollywood’s income.
Baahubali 2: The Conclusion, has raked in more than 15 billion rupees (US$233 million) at the box office since being released on April 27 and is already the most successful film in India, according to Ramesh Bala, an analyst who tracks box office collections in India.
About a prince’s quest to reclaim the throne from his evil uncle, its being compared to the movie 300, given its epic visual effects, a muscle-ripped star and US$40 million price tag.
At the opposite end of the film canon, Dangal, the true story of a former Olympic coach who led his daughters to win medals in wrestling at the Commonwealth Games, has also proven to be a hit since its late-December release, unexpectedly winning over audiences in China.
The movies come after a slow couple of years for Indian cinema. Box office revenues in India slipped 1.6 per cent last year, while the industry as a whole — including the sale of overseas rights to Indian films — rose only 3 per cent to 142.3 billion rupees (US$2.2 billion), according to a March report from KPMG and the Federation of Indian Chambers of Commerce and Industry. That compares with an average of 7 per cent in the previous three years.
While prolific, the industry is also less productive. India produces 1,500 to 2,000 films a year and generated about US$2.2 billion last year.
That compares with income from about 700 films produced in the U.S. and Canada of about US$11 billion in 2015, according to a report from Deloitte in September.
Meanwhile, the number of Bollywood movies that generated a positive return on investment fell to 18 last year from 27 in 2014, according to KPMG-FICCI. Bollywood covers movies in Hindi largely produced in Mumbai.
Chalk it up to the issues that bedevil much of the Indian economy: low skills, a complicated tax regime and the black market.
To start, there simply aren’t enough screens. The country has about six screens per million viewers, versus 23 per million in China and 126 per million in the U.S., according to Deloitte.
And while more than 200,000 people are employed in the industry, most are trained on the job and are unprepared to handle new technologies such as virtual reality. Meanwhile, the industry loses about 190 billion rupees a year to piracy, according to Deloitte.
There is good news. Regional cinema has seen a surge of activity. Baahubali hails from southern India’s Tollywood, a portmanteau of the Telugu language and Hollywood.