The For­eigner

Packet & Times (Orillia) - - ENTERTAINMENT - Jackie Chan in a scene from The For­eigner. (out of 5) Di­rec­tor: Star­ring: Run­ning time:

Martin Camp­bell Jackie Chan, Pierce Bros­nan, Katie Le­ung, Ru­fus Jones 1 hours, 45 min.

Liam. He re­futes Quan’s re­quest for the names of the bombers with diplo­matic politi­cian speak, so Quan replies with his own IRAstyle tac­tic, bomb­ing the in­ef­fi­cient politi­cian’s bath­room in­side his dusty, bu­reau­cratic build­ing.

Liam’s men re­al­ize Quan is just as knowl­edge­able about bombs as they are, though his back­story as a U.S.-trained fighter and his fam­ily sac­ri­fices are quickly rushed over.

Liam and Quan es­sen­tially square off in their own lit­tle civil war, with the well-off Ir­ish politi­cian cow­ardly hid­ing in his com­fort­able, richly fur­nished room twirling a whisky glass in his hand and di­rect­ing min­ions to deal with Quan, while the for­eigner — ever so nim­ble and re­source­ful — picks them off one by one.

The trail­ers for The For­eigner are de­cep­tively ac­tion-packed. When the scarce ac­tion se­quences do ar­rive in the film, they’re a re­fresh­ing change of pace from Liam’s bor­ing, cham­ber-room IRA pol­i­tick­ing. The film wisely doesn’t let Quan get away too eas­ily from his at­tack­ers, and it also high­lights the phys­i­cal dam­age of a re­venge mis­sion on the weary older man.

The For­eigner is based on Stephen Leather’s 1992 book The Chi­na­man and adapted for cur­rent times, but it fails to con­vinc­ingly es­tab­lish why a se­cret IRA cell might still act out. In­stead, the script bases much of its run­ning time on the Ir­ish­man’s crew’s var­i­ous dou­ble-cross­ings and far too lit­tle es­tab­lish­ing Chan’s char­ac­ter, who comes off as a silent lone wolf ci­pher.

The im­bal­ance of story at­ten­tion between the tit­u­lar For­eigner and the Silently Fu­ri­ous Ir­ish Peo­ple may ex­plain why sales for this U.S.-China co-pro­duc­tion have done so poorly in China. The film tries pretty half­heart­edly to make us sym­pa­thize with Chan’s char­ac­ter, who isn’t given many lines to show off his sig­na­ture charisma, yet he’s clearly the one we should be root­ing for. In­stead, we get one too many close-ups of Bros­nan’s fur­rowed face as he sips whisky and looks puz­zled.

The in­clu­sion of the Bri­tish law en­force­ment — led by the no­tably non-white Com­man­der Richard Bromley (Ray Fearon) — also com­pli­cates the po­lit­i­cal di­men­sions of The For­eigner, yet is bereft in us­ing po­lit­i­cal and cul­tural con­text to make the film lit­tle more than a semi-en­joy­able ac­tion film.

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