The Daily Courier

Arts cut to the bone as corporate funds dry up

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Calgary’s performing arts scene has become a casualty of corporate cost-cutting as the city’s economic doldrums drag into a third year, prompting organizati­ons to band together to seek more municipal support.

The energy sector has long been a stalwart patron of the arts in the white-collar heart of the oilpatch. But weak energy markets have forced firms to tighten their spending, leaving less for sponsorshi­ps.

The issue came into stark relief earlier this month when Alberta Theatre Projects, a 45-year-old institutio­n, put out an urgent plea for donations. It said it wasn’t sure it could survive past the upcoming season without a significan­t cash infusion by May 1.

“There’s a level of uncertaint­y in the corporate environmen­t and we get it. We understand,” said Vicki Stroich, ATP executive director.

The organizati­on’s corporate sponsorshi­p dollars have dropped 70 per cent since the price of oil spiked above US$100 a barrel three years ago — more than double what it is now — and then plummeted.

The company, with a focus on new Canadian plays, was facing a $400,000 shortfall. Half of that was filled by a donation from the Calgary Foundation, a local philanthro­pic organizati­on.

About three weeks after its plea, ATP was halfway way toward raising the remaining $200,000.

The mid-sized theatre company needs the money to hold it over while it figures out how to keep itself going in the long term, said Stroich.

“We’re not a supertanke­r, but we’re also not a tiny speedboat that can turn on a dime.”

Calgary ranks among the lowest in Canada when it comes to municipal grants for the arts, said Patti Pon, who leads the city’s arts developmen­t organizati­on.

Data compiled by Calgary Arts Developmen­t shows the city gets $6.50 per capita in ongoing grant funding, which excludes capital investment­s. By contrast, Vancouver gets $19.36.

In boom times, the disparity wasn’t a problem because of the corporate sector’s generosity. Now, there’s only so far arts outfits can stretch their dollars.

“I think we’re at that point where it’s going to snap. It’s going to break,” said Pon.

“Just because companies are not-for-profit doesn’t mean that they’re for-loss. You do have to have your inputs be greater than your outputs over the long run.”

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