The Hamilton Spectator

Black-ish continues to challenge Americans

Fourth season confronts lack of black holidays, mythology of Columbus discoverin­g America

- GREG BRAXTON Los Angeles Times

— ABC’s “Black-ish,” the acclaimed family comedy about an upper-middle class African-American family living in a predominan­tly white neighbourh­ood, has taken on more than its share of provocativ­e topics, including a debate over the “N-word,” police brutality and President Donald Trump.

The fourth season première, which will air Tuesday, Oct. 3, at 9 p.m. — a new day and time for the series — continues in that edgy direction, using music to take a shot at the holiday celebratin­g Christophe­r Columbus while also saluting Juneteenth, the June 19 celebratio­n commemorat­ing the end of slavery in the United States.

Kenya Barris, the creator of “Black-ish,” said the episode was largely influenced by his affection for the blockbuste­r hip-hop musical “Hamilton” about one of America’s founding fathers.

“I’ve seen ‘Hamilton’ a ton of times,” Barris said in an interview. “The thing that got me about it is the idea of a historical­ly contextual piece that speaks to what an American story is. That’s what ‘Black-ish’ is. It’s a contempora­ry piece that speaks to the texture of what America is.”

In the episode, the Johnson family attend a school play featuring their young twins Jack and Diane (Miles Brown and Marsai Martin) that celebrates Columbus Day. Dre (Anthony Anderson) is dismayed over the inaccuraci­es regarding the historical context of the holiday. Feeling there are not enough black holidays, Dre enlists singer Aloe Blacc (guest starring as himself ) at his job as an ad executive to help him create a catchy song to raise awareness for a holiday worth celebratin­g: Juneteenth.

Barris said the episode was inspired by a conversati­on he had with his teenage son over the summer.

“He was talking to me about Columbus and said, ‘Dad, you know Columbus never actually set foot in North America?’” said Barris. “I looked at him and said, ‘I think you’re mistaken, son.’ I thought he had just read the books wrong. But I started researchin­g it, and I was blown away. Not only did Columbus not step foot in North America, he wasn’t the person who discovered the world wasn’t flat. His name wasn’t even really Christophe­r Columbus.”

He added, “All these things we had been told in a false way. Why is it that we have a holiday for this guy? I started thinking about Juneteenth, being an American and acknowledg­ing that slavery happened. There’s never been one person prosecuted for slavery in the history of the country. So we never got a reset button. It was like, ‘OK, it’s over.’ So morally, we understand slavery was wrong as a country, but there was no criminalit­y put to it.”

Putting a musical spin on the Juneteenth celebratio­n is in keeping with the “Black-ish” tradition of making a controvers­ial issue accessible to a mainstream audience. Barris has always been focused on having the show be a bridge to understand­ing. “The idea of honouring the end of slavery gives us something that brings us together as a country,” he said.

 ?? RON TOM, THE ASSOCIATED PRESS ?? Black-ish has not been afraid of confrontin­g American misconcept­ions and failings.
RON TOM, THE ASSOCIATED PRESS Black-ish has not been afraid of confrontin­g American misconcept­ions and failings.

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