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Although he’s still young, Bel­gian chore­og­ra­pher Jan Martens has al­ready made his mark on dance. The Dog Days Are Over, a 70-minute lit­eral work­out in which the dancers don’t stop bounc­ing, hop­ping, and leap­ing for the du­ra­tion of the per­for­mance, high­lights the cre­ativ­ity than can be found in rep­e­ti­tion. His solo piece, Ode to the At­tempt, is a cheeky, free-wheel­ing trib­ute to the artis­tic process. (p. 31)

OCT 22-24

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