Jus­tice League is a fun, though slightly flawed, big screen romp for some of DC’S big­gest heroes

Winnipeg Sun - - SHOWBIZ - MARK DANIELL Post­media Net­work

Nearly 12 years af­ter Christo­pher Nolan rein­vented the su­per­hero film genre with Bat­man Be­gins, one thing is cer­tain when it comes to comic book movies on the big screen: they’re in­creas­ingly held to a dif­fer­ent stan­dard.

Should the films be light or dark is a con­stant ar­gu­ment among fans. And when Warner Bros. set about to craft an in­ter­con­nected se­ries us­ing its big­gest heroes, start­ing with 2013’s Zack Sny­der-di­rected Man of Steel, it took a de­cid­edly more se­ri­ous tone.

Last year’s Bat­man v Su­per­man: Dawn of Jus­tice (also di­rected by Sny­der) skewed dark. Crit­ics were un­im­pressed and fan re­sponse was di­vided (though the film banked a re­spectable US$873 mil­lion at the box of­fice).

Next up was Sui­cide Squad, which suf­fered from a host of is­sues. Crit­ics, again, panned the David Ayer-di­rected flick but a US$745 mil­lion world­wide haul en­sured a se­quel is on the way.

DC righted the ship with this past sum­mer’s stand­alone Won­der Woman film. But even though it was a hit with crit­ics and fans — Gal Gadot’s solo de­but as the Ama­zo­nian princess is now the high­est-gross­ing su­per­hero ori­gin movie of all time — the path that WB set upon when it started its DC cin­e­matic uni­verse has led to one movie: Jus­tice League.

Rife with talk of script doc­tor­ing, ever-chang­ing run­ning times and be­hind the scenes ru­mours of Bat­man star Ben Af­fleck’s wa­ver­ing com­mit­ment to con­tin­u­ing as the char­ac­ter,

Jus­tice League, which is di­rected by Sny­der, with Joss Whe­don adding some fin­ish­ing touches, lands in a film­go­ing land­scape rid­dled with ex­pec­ta­tions.

I’ve seen the movie twice and the good news is, my ex­pec­ta­tions as a fan of the comic film genre and DC have been mostly met.

Pick­ing up sev­eral months af­ter the events of BVS, Jus­tice

League finds Bat­man and Won­der Woman charged with as­sem­bling a team of heroes that in­cludes Aqua­man (Ja­son Mo­moa), the Flash (Ezra Miller) and Cy­borg (Ray Fisher) to take on an oth­er­worldly threat — the an­cient evil en­tity Step­pen­wolf (Ciaran Hinds).

With Su­per­man (Henry Cav­ill) gone, Earth has be­come more chaotic, and su­per­nat­u­ral forces have pin­pointed the planet for de­struc­tion.

The story — from Sny­der and writ­ers Chris Ter­rio and Whe­don — is more eco­nom­i­cal this time around. There’s a threat, and the heroes need to

“come to­gether” to stop it. Pretty sim­ple.

Bat­man and Won­der Woman are the de facto lead­ers of the team but what Jus­tice League does re­ally well is give movie­go­ers a chance to get to know the new char­ac­ters. Aqua­man, Flash and Cy­borg aren’t un­der­de­vel­oped; in­stead they’re given fleshed-out back­sto­ries.

The draw­back of that is that we don’t learn any­thing more of Bat­man’s com­plex his­tory bat­tling crime in Gotham for the past 20 years, or how he lost his part­ner, Robin.

Ditto Diana Prince. What has she been up to since the First World War events of the Won­der Woman film?

Gadot and di­rec­tor Patty Jenk­ins will pre­sum­ably fill in the blanks in the next Won­der Woman movie (due out in Novem­ber 2019), but Af­fleck has waf­fled re­cently about whether he’ll be back in any mean­ing­ful way as the Dark Knight. He told USA Today that he wants to find “a grace­ful and cool way to segue out of it.”

In terms of how it looks, Jus­tice League is some­thing that needs to be ex­pe­ri­enced on a big screen.

One of the things I dis­liked about BVS and Sui­cide

Squad was the murk­i­ness in its fi­nal acts. Sny­der has bright­ened that up to some ex­tent and, un­like its pre­de­ces­sors, there’s less talk and more ac­tion.

But, un­for­tu­nately, the

CGI used on the vil­lain­ous Step­pen­wolf doesn’t al­ways work and there are scenes that look just plain silly. Run­ning time: 2 hours, 1 min.

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